Revolutions: Compare the ways in which artists working in Futurist, Constructivist, Bauhaus and Surrealist groups had agendas to transform everyday life

April 10, 2023April 10, 2023 Discipline: Art

In your final essays, you will use assigned materials while describing, analysing and comparing artworks. This is an opportunity to further explore course themes and demonstrate your understanding of critical, national and historical contexts for artworks.

You will not receive full credit for your essay if you do not engage with the longer texts that I have assigned for your reading. Contact me if you need more information—do not use web sites like the Art Story, Wikipedia or other casual pieces of writing.
Indicate the title of your essay in a header. Essays must be a minimum of 1000 words, MLA style. Illustrations found in the texts or in class images do not need to be added to your essays.
Theme:  Revolutions: Compare the ways in which artists working in Futurist, Constructivist, Bauhaus and Surrealist groups had agendas to transform everyday life. Look closely at information about their manifestos or goals and demonstrate apply these ideas to their art and design through close analysis of specific images.
Must find relevant definitions, images and analyze them from the articles I provided. Do not use additional knowledge to complete the article. The article does not need to be esoteric.

Articles:
The Futurists: transcontinental avant-gardismThe Futurists: transcontinental avant-gardism
Martin Gaughan, “Narrating the Dada Game Plan” Chapter 11 Art of the Avant Gardes 
Wood “The Revolutionary Avant Gardes: Dada, Constructivism and Surrealism” from Challenge of the Avant Garde, 1999. Focus on 236-47.
“1923” from Art Since 1900.
Lodder “Soviet Constructivism” Art of the Avant Gardes. 359-86.
Fionna Barber “Surrealism” Chapter 14 Art of the Avant Gardes, pages 427-448
Nadia Radwan “The Uncanny of Everyday Life” from Surrealism Beyond Borders, (NY: The Met) 2021. pages 260-269.
 Rosalind Krauss, “Photography in the service of Surrealism” from Rosalind Krauss et al. L’amour Fou : Photography & Surrealism. Corcoran Gallery of Art ; Abbeville Press 1985.

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