Sources: Terry Gilliam’s Brazil (1985), Slavoj Zizeks “Big Brother,or, the Triumph of the Gaze over the Eye.”
Select one film scene from Brazil (2-6 minutes) and offer a formal analysis of this scene using specific film tools, followed by a thematic reading that crafts and critically applies a lens from Slavoj Žižek’s essay “Big Brother, or, the Triumph of the Gaze over the Eye.”