Discuss the film’s importance to documentary history, its relevance to contemporary discourse on nonfictionality, the mode of the film, the film’s argument and point of view, its rhetorical stance.

Using the readings from the syllabus(I’ll give you) you will use them to prove your point. 

This
paper must be theoretically informed and reflect the content of the course,
involving a close reading of a nonfiction film of the student’s choice.
Discussion of the performance of self with nonfiction forms must serve. 

Jean Rouch, Ciné-Ethnography
(2003)

Edgar Morin, The Stars (2005),
selections

Edward Miller, “The Chronicles of Marceline.” The Rock in the Middle of the
Road (2019).

Screening:
           

Edgar Morin and Jean Rouch, Chronicle of a Summer (1960)

Bill
Nichols, “What Gives Documentary a Voice of their Own?” Introduction to
Documentary

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